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Showing posts with label 1984 - music. Show all posts
Showing posts with label 1984 - music. Show all posts

09 April 2014

The Thompson Twins

One of my favourite bands of the 1980s was the Thompson Twins. In fact, I even joined their fan club. I liked their music, which I found to be quirky and original (“I bought you sentimental roses, but you gave them all away”) and I was absolutely infatuated with Alannah Currie, hairdos, hats and all.

Me and my workmate Neal parodied the group’s songs (“Hold me now - warm my tights!”) but that was no indication of dislike.

We were a couple of daft lads who took the mickey out of anything that moved or made a sound. You have to remember, the World Wide Web wasn't even invented till 1989. There wasn't even a computer where we worked. They weren't "everyday life". Our jobs as office clerks in the early-to-mid 1980s were mind numblingly boring, we had to do something to stay awake. We had to make our own amusement.

I never told Neal I’d joined the Thompson Twins fan club. I didn’t want him taking the mickey out of me, but Alannah had me under a spell…

The Thompson Twins went through several incarnations, but the band we all know existed from 1982 to 1986 - the trio of Tom Bailey, Alannah Currie and Joe Leeway. It was these three who gave us the distinctive music and style which still produces a happy smile and a bop round the living room whenever heard for many of us who love 1980s music.
From the Daily Mirror, February 28 1984...

Three into two goes like a bomb

By Robin Eggar

The audience is screaming, Cowley carworkers’ daughters and posh undergraduates joining in with equal enthusiasm. Oxford is seething at the sight of an odd trio who have proved that three into two does go. All the way to the top of the charts.

The Thompson Twins are the first rock sensation of 1984. And this is the first night of their sell-out, thirty-four date tour around Britain.

But how are Tom Bailey, Joe Leeway and Alannah Currie taking to the road?

Lead singer Tom says:

“It’s like a three-way marriage. We live out of the same suitcase and depend on each other.

“We use each other emotionally to cope with stress. But in the long run it means we’re even stronger.”

None of the three “twins” is related - or even called Thompson. Their name is taken from a pair of bumbling detectives in the “Tintin” comic strip.

Their latest album, “Into the Gap”, has raced to No 1, outselling its nearest rival two to one. Their single, “Doctor, Doctor”, is hovering just below the top spot in the charts.

And yet four years ago they were living in south London squats and waiting to be discovered.


I saw them one night in a sleazy club. There were seven in the band then and only seventeen in the audience.

One paying guest had passed out. The other fifteen had joined the band on stage and were banging cans out of time with the music. I made my excuses and left.

It all changed when Tom wrote a song to fill up the second side of an album in 1981. It was called “In The Name Of Love” - and it became a hit in America. It was No. 1 for five weeks in the disco charts there.

Tom, 28, says:

“That was like having the blinkers torn off my eyes.

“I suddenly realised that we’d just been making music for a small circle of friends in London, kids in America really liked us.”

The only other members of the band who shared Tom’s scent of success were Joe Leeway and Alannah Currie.

And so it was that the band slimmed down to three. Joe says:

“Until Tom wrote “In The Name Of Love”, we were boring.

“Finally I sat down in this room and said I don’t want to work with you, you, you and you. I only want to work with Tom and Alannah.”

The three are from very different backgrounds. But together they form a unique blend. Tom, whose father is a Yorkshire doctor, used to teach music. He was the founder of the original band.

Alannah, 26, is a manic ball of fire with a taste for silly hats. She was born in New Zealand.

Her father was a docker and her mother cleaned hospitals at night. She was determined to escape from her home and arrived in London in 1977, penniless.

She worked cleaning toilets, washing dishes and sweeping up in a hairdressing salon. She was trying to learn the saxophone in her squat one day when “this real wimp” came over to complain about the noise.

It was Tom.

At 31, Joe is the oldest Twin. He was born in London to an Irish mother and a Nigerian merchant seaman. He was fostered to an elderly couple in Dartford, Kent, when he was two years old.

“The first black I ever talked to was when I was 21,” he says. “I still think white, even though I’ve got black skin.”

He became the Twins’ roadie after a career in acting. Then, after one evening when he complained that he wanted to do more in the band, they bought him a set of congas. He played them the wrong way round for months.

Joe now plays the synthesiser. He also designed the group’s spectacular stage show for the current tour.

Alannah takes care of the videos and the Twins’ style. She also writes the lyrics, sings and plays percussion.

Tom writes most of the music, sings and is the teenage heart-throb.

Professionally it works. But it does take its toll on their individual relationships.


All admit they have not the time or the love to give to an outsider. This has given rise to speculation that Tom and Alannah live together and are planning marriage.

“That is silly,” says Tom. “All three of us are dead against the idea of marriage. Alannah and I are very close, but we are not having any kind of secret relationship.


“I am also very close to Joe. Whatever I do with anyone else, those two are my first priority.


“We are intensely close. We love each other very dearly and it is totally different from any other relationship I’ve ever had.

“We are united by a common aim and our care for each other.

“If anyone left, that would be the end of a great adventure."


UPDATED 9/4/2014

04 February 2013

Paul McCartney And The Frog Chorus: We All Stand Together...

Remember Paul McCartney and the Frog Chorus? The song, of course, leapt up the pop charts. Smash Hits interviewed one of the stars in their Bitz section back in December 1984 ...

The London Borough of Finchley is not only the constituency of Margaret Thatcher, but also the home of Hamish the Frog who, along with his two younger brothers Ian the Frog and Keith the Frog and the artistic assistance of Paul McCartney, has created a record that is positively hopping up the charts. 

"We All Stand Together" by Paul McCartney And The Frog Chorus is the fulfilment of a lifelong ambition for Hamish, Ian and Keith.

"We've been croaking and humming since we were tadpoles," explains Hamish. "We began with the odd gig down the local aquarium, then we graduated to more, er, prestigious venues - boating lakes, swimming pools etc."

The talented trio - actually they were a quartet at the time but fourth member Steve the Frog mysteriously disappeared only days after the opening of Marcel's French Bistro on Finchley High Road - first came to the attention of Fab Macca last year. The Frogettes were playing an open-air free festival (in Greenpeace) at a Sussex duckpond near the McCartney home. Also on the bill were Spawndau Ballet, Howard Toads and Barry Manilow. Macca, impressed by their "energy and commitment", invited them along to "do do a session" and the single was born.

So what was it like working with a living legend?

"You mean Rupert the Bear?" croaks Hamish.

No, no, no. We mean Paul McCartney.

"OK," shrugs Hamish, "but we don't just want to do novelty records. Our tastes are a bit more, er, radical than Paul's."

What does he mean exactly?

Hamish scowls. "Every year three million frogs are slaughtered and their legs amputated for the eating pleasure of the bourgeoisie," replies Hamish, hopping mad by this point. "The tragic death of our brother really brought this home."

Hamish wipes a tear from his eye, warns "Bitz" to expect something a bit more "hard-hitting" for their next single and hops off home to the luxury Finchley fish tank the brothers have just bought with their royalties.

There goes a frog who does not mince his croaks.

21 July 2012

The "Now That's What I Call Music" Pig

Ah, the Now That's What I Call Music pig! Here's the original version, lapping up melodies from his farmyard pal. This was how the Pig debuted on the first Now album sleeve in 1983.

Didn't really grip me. It seemed quirky to use a 1920s Danish Bacon advertising picture on the back of an album cover, but it was definitely a "hmmm..." moment rather than a "gasp-in-ecstasy-at-visual-delight" moment.


So, how had this quirky idea come about?

The story began in 1983 at the offices of Virgin Records, London, England. The people responsible for the basis of the NOW idea were the then Head of Licensing and Business Affairs Stephen Navin and General Manager Jon Webster. The idea was simple. A collection of unedited contemporary hits. In partnership with EMI, the idea took wing. Pigs might fly? Not in this case. Solid, long-running success was - and still is - the result.

And how did the pig come in? Well, this was down to Virgin Records supremo Richard Branson, who bought the old Danish Bacon factories poster, reproduced at the top of this blog post, from a bric-a-brac shop in Portobello Road. Framed, it made a perfect present for Richard's cousin, Virgin Records executive Simon Draper. Richard recalled years later:  “He was notoriously grumpy before breakfast and loved his eggs in the morning, so I bought him the poster, framed it and had it hung behind his desk !” 

Incidentally, Richard's main reason for visiting the bric-a-brac shop was the fact that he liked the woman who owned it. He later married her.

Back to the main story. The framed piggy poster soon caught EMI Managing Director Peter Jamieson's eye. He later said: “Seeing the poster with the same title on it that had become so familiar to me was serendipity, ‘fate’ even, and I knew then that this had to be the title of our series. It was a powerful and meaningful statement in its own right, and when abbreviated to ‘Now’, gave the ultimate contemporary message”.

And so, our porker pal was on the road to '80s stardom.

At first, the pig seemed set for just one NOW album cover - the very first. He took a break for Now 2.
 
For Now 3, the pig swept out of its '20s farmyard and into the 1980s by donning dark glasses.

Still a bit "hmmm..." really, I thought...

But for Now 4, in 1984, the album sleeve porker artwork became rather better, far more realistic, almost photographic, and the now thoroughly mid-1980s pig added personal stereo headphones to its trendy glasses and assumed a rather uglier facial expression.

Suddenly, t'was bliss.

I got heavily "into" The Pig.

Clever TV advertising helped.
 

 There were several telly ads for Now 4, and in the shortest Mr Posh-Geezer came across my piggy friend, listening to his personal stereo and minding his own business.

"This SWINE is looking very pleased with himself," said Mr Posh-Geezer, highly annoyed.

"That's 'cos I'm listenin' to 32 chart hoggin' hits and you're not!" said the pig, in a broad Yorkshire accent (Brian Glover provided the voice).

Mr Posh-Geezer said no more.


Pig it! Piggy gets his kit off for this stunning 1984 double page magazine ad.
 
Nows 1, 2 and 3 also had video compilations, but Now 4 was the first to also appear on new fangled campact discs.

On a million trillion T-shirts in the mid-1980s, Frankie said "Relax".

The Pig said "Oink".

I managed to persuade my local record shop to let me have the cardboard window display for Now 4, featuring the adored porker, and stuck it to my bedroom wall.

Whilst the most popular pin-ups of the mid-1980s included the likes of Madonna, Samantha (or "S'manfa") Fox and Linda Lusardi, I had the Now Pig.

Like all good things, my Now Pig fixation came to an end.

Shame.

The cover of
Now 5 in 1985 featured the Pig, but the artwork lacked the realism of Now 4, and the Pig had, in my very humble opinion, quite lost it - sporting a colourful 1980s shirt (very nice!) and a lollipop behind its ear - looking every inch a cartoon.

Shame.

I had high hopes for the future - surely Now 5 was just a glitch? But when Now 6 arrived, the Pig was absent.

Shame.
 

The Now 4 pig remains one of my top favourite items of 1980s pop culture.

Sad.

My bedroom in 1985 - complete with the Now Pig cardboard display and my Pye Tube Cube (read all about it here). My bedroom was often described by my friends as "The Pit" back in the day - and indeed I thought it was a bit of a dump myself. But hoovering was beyond me and, looking back now, from the vantage point of a tired, forty-something mortgage slave, my old bedroom and those irresponsible long ago days seem like Paradise Lost!

ORIGINALLY PUBLISHED 11 MARCH 2010. UPDATED 22 July 2012.

10 June 2012

Agadoo doo doo...

Good old Black Lace. Try it after a couple of pints! I confess to singing along to this, doing all the movements and having a thoroughly good time more than once. I'm quite happy to confess to this as you don't know me and we're not likely to meet!


All together now - 


"Agadoo doo doo, push pineapple shake the tree
Agadoo doo doo, push pineapple grind coffee..."

Interviewed in 1984, Colin Routh of Black Lace, said:


"Our manager found Superman in Europe. It was a hit there some time back. And one night we were playing in a nightclub and someone came to us and said is Agadoo going to be your next single? We thought it was the name of a disease or something. Anyway, he explained it was a record by the Saragossa Band, made for the people at Club Mediterranean, the holiday firm. It's also been a hit in Germany a couple of times, originally being released in 1967. So we thought it was a good idea to do an up-to-date version of it."

Thanks, lads!


In 1986, Spitting Image took revenge with the Chicken Song.

28 May 2012

Talk Talk - Bringing Back The '80s...



Talk Talk formed in 1981, and their music has the ability to lead me back to my '80s youth... so that I can almost touch it. Almost be there.

But not quite.

Those rough-edged, highly turbulent but still much simpler days are gone.

Forever.


Above you'll find Talk Talk's 1982 hit Today... I was seventeen... wore a donkey jacket for fashion... worked as an office clerk... played on the CB... smoked, went to discos and down the pub. I didn't have a ZX Spectrum. Nerdy rubbish. Computers were just a passing fad anyway...



And on to 1984... It's My Life... no more office clerking... now a Social Services Care Assistant... wanted to CARE, do something MEANINGFUL... I was idealistic AND cynical... booze, nightclubs and sex ruled my free time...



1985: Life was what I made it... great friends and loads of laughter, sex and music and dancing and booze and hair gel and cheap flash clothes - tweak those shoulder pads, push up those sleeves... Mobile phones? Yuppie toys - they'll never catch on!... pose at the Nite Spot... sink eight pints of Stella...

And then, suddenly, completely out of the blue, I fell in love - properly in love for the very first time - and my life slid totally out of my control...

17 March 2012

Marilyn

It's been a fascinating experience to relive the 1980s through the newspapers of the decade - brilliant to escape from the BBC and Wikipedia's "We Glorify The '70s" nonsense, and to see the '80s as they really were again. Brash. Noisy. Violent. Glamorous. Technological. Outrageous. "Stylish" (note the speechmarks). Contrasting. Money loving. Caring. Fast moving...

But sometimes the newspapers rose above the roar and clatter of the decade and contained unquestionably wonderful things like the photograph of the two monkeys above, featured in the Daily Mirror in February 1984...

Hugging each other and clinging on to life, these monkeys are a real handful.

Since they were born three weeks ago, they've left their best friend Molly Badham with scarcely any spare time. Molly, who named the inseparable pair Peter and Pop, has bottle-fed them every three hours at her zoo in Twycross, Leics, because their mother rejected them.

Happily, Peter and Pop are doing fine.

I was, for some reason, deeply moved by the photograph... those adorable little faces, those intelligent eyes, the way they were hugging each other for comfort. Just like humans...

I felt tears pricking into my eyes and began to ponder the mysteries of life...

Then my eyes moved briefly to the right:

Marilyn has his handbag pinched

Only in the '80s!

My reflective mood trailed off into a very un-high minded explosion of raucous laughter...

Pop star Marilyn had his handbag, containing £500 in cash, snatched last night as he sat in a London restaurant.

And the singer, who wears outrageous clothes and make-up on and off the stage, is offering a reward for its return.

"It's awful," he said. "It had my address and my diary in as well as my wallet and all my keys.

"It had every appointment for the next six months in. I just don't know what I'm going to do.

Two men lifted the black rubber bag with grey trimmings from a seat as Marilyn sat with a woman friend in a restaurant near Oxford Circus.

"The fact that someone can actually do that is beyond me," he said. "I know the money's gone but I'm desperate to get the address book and diary back."

Poor Marilyn. Did he get his things back? If you know, drop me a line...


From the Daily Star, October 2, 1984:

Breakfast TV beauty Selina Scott was faced with her spitting image when she ran into chart-topper Marilyn yesterday.

The look-alike couple were among the celebrities at the Variety Club banquet in honour of Radio One.

And even guests who could tell one from the other were stumped when it came to deciding who looked prettier.

However everyone agreed they made an incredible double act.

Nik Kershaw

Nik Kershaw in 1985, sporting that popular mid-'80s look probably best labelled "I-was-going-somewhere-posh-but-got-dragged-through-a-hedge-backwards-on-the-way".

After a brief school days dalliance in a band called Half Pint Hog, Nik Kershaw went to work as a clerk at the DHSS in Ipswich from 1975 to 1978 ("I spent all day handing out Giro cheques to people on the dole, it was really depressing. You'd see the same people every week, and you'd watch them going slowly downhill, yet all I could do was fob them off with a cheque.").

He later worked at his local Co-op hardware store.

Nik was also a member of a band simply called Hog - a spin-off from Half Pint Hog. He then joined an Essex jazz-funk band called Fusion, which split up in 1982.

Deciding to concentrate on song writing, Nik borrowed a friend's Portastudio cassette machine, and began writing and recording at home.

He was getting nowhere - rejection followed rejection, so he advertised for a manager in Melody Maker, got himself a gent called Mickey Modern, and a record deal soon followed.

Wouldn't It Be Good entered the Top Forty at Number 38 in February 1984 and Nik briefly knew tremendous success - becoming a pop idol.

This down-to-earth bloke actually wrote terrific pop songs - and they weren't just "pop pap" (I Won't Let The Sun Go Down On Me had wonderful anti-nuke lyrics).

Excellent. Whenever I hear one of Nik's 80s hits on the radio, a big daft grin spreads right across my face - from ear to ear.

Happy memories!

17 December 2011

Wham! Last Christmas I Gave You My Heart - And China...

Heady days for George Michael and Andrew Ridgeley. Asked in 1984 what makes a great pop song, they replied:

George: "A great pop song has something about it that will appeal to millions of people. There are different ways of doing that. You can do it in a crass way like 'Agadoo'. Or in an uplifting way like the way we do it in."

Andrew: "It should be some form of emotion in extreme. I'll tell you why I think 'Two Tribes' [Frankie Goes To Hollywood] is so good. You get incredible energy, excitement and that really sad synthesizer bit in the middle. Two absolute extremes."

Santa Wham!

The Sun, 1/12/1984.

Last Christmas was soon to be released. Now it seems almost as much a part of Christmas as cards, tinsel, trees, and Santa.

Two famous faces pop out of Christmas costumes - Wham! superstar George Michael and Andy Ridgeley.

They staged the frolic for the launch of their latest single, Last Christmas.

George played Santa Claus, carrying a sackful of presents. Andy donned a reindeer rig-out.

Their Christmas caper will be pictured on the sleeve of their new record, which is released on Monday.

And Wham! reckon it will just sleigh their fans.

The pop princes flew to Geneva last month to make a video promoting the disc. George's girlfriend, sultry singer Pat Fernandez, also appears in the film.

One of the crew said yesterday: "Snow was all around, but their love was keeping them warm."

1985: Wham! were the first Western pop group to be invited to play in China. As one pop journalist pointed out:

There are no pop charts in China; only a year ago, discos were unheard of and dancing wasn't allowed.

George Michael opined:

"One of the many reasons the Chinese chose Wham! to play and not other groups who've asked was because of what we represent: optimism and inspiration. Also we're at the opposite end of the scale to what China sees as the decadent rock acts of The West. You know - sex, drugs, scandal. The thing with us was that there was no angle. That's why I suppose Fleet Street have had to make one up."


1984: Band Aid - Do They Know It's Christmas?

What a year was 1984... Sir Alec Jeffreys at Leicester University, England, discovered DNA fingerprinting - entirely accidentally; Trivial Pursuit blasted in; the Miners' Strike brought angst and uproar; and a group of pop stars got together to make a record aimed at "feeding the world..."

Supergroup Band Aid's disc to aid Ethiopian famine victims has zoomed straight to the top of the pop charts.

And the double single, Do They Know It's Christmas? Feed The World has set a record of its own by selling an amazing 600,000 in Britain and 1,250,000 worldwide in just ONE WEEK. This makes the record - made by a host of British pop stars to help the relief fund - the fastest-selling single ever.

Gallup, who compile the official record industry and BBC pop charts, said: "It's incredible. At this rate it'll also be the biggest selling record ever."

The stars, including Boy George and Bob Geldof, hope Ethiopia can now quickly get £1 million for food and medicines from disc sales. For each £1.35 record sold, 96.03p goes to the fund.

Detail from the record cover. Band Aid in 1984 begat Live Aid in 1985. More here.

03 September 2010

Alexei Sayle: 'Ullo John! Gotta New Motor? And Toshiba: 'Ullo Tosh, Gotta Toshiba?

Alternative comedian Alexei Sayle gave us novelty chart hit 'Ullo John! Gotta A New Motor? in 1984. Apparently originally released in 1982, the song bombed - Mr S. was simply not famous enough, it seemed. But, re-released a year or so later, it was a different story.

It sounded bloomin' awful and I loved it to bits.


Mr Sayle also had an album released in 1984 - The Fish People Tapes, based on a series called Alexei Sayle And The Fish People, broadcast on London-based Capital Radio in 1981. Both the radio series and record apparently featured a few digs at the Government.

Good job, eh?

One of the tracks included - That's Milton Springsteen - was a parody of the Jam's early 1980s song That's Entertainment.

'Ullo John was included on the album and was soon tweaked for a fondly remembered 1985 TV ad - "Hello Tosh Gotta Toshiba?"... or should that be "'Ullo Tosh..."?

Ian Dury provided the main voice over for the ad...

"'Ullo - ullo - ullo Tosh gotta Toshiba?
'Ullo Tosh gotta Toshiba?"

"That's an FST."

"RIGHT!!"

"That's an FST."

"RIGHT!!"

"It's the flattest squarest tube.
It's the flattest squarest tube."

And what did the flattest squarest tube give you? A flatter screen and sharper picture. It was a good development.


Return to the mid-1980s with the 'Ullo John! video and the Toshiba ad below...





14 June 2009

Frankie Goes To Hollywood: The "Relax" Ban

"Relax" by Frankie Goes Hollywood sent shockwaves through the pop-picking population of England...

Although used to scantily clad young women "flaunting themselves", as my auntie Maggie always put it, on "Top of the Pops" since Pan's People first strutted their stuff in the 1960s, nobody was prepared for the saucy lyrics of the "Relax" song and "downright disgusting" (Auntie Maggie again) visuals of the "Relax" video (see above)...

And as for simulated gay sex acts, well, civilisation was obviously on its last legs!

From the Daily Mirror, 25/1/1984:

Britain's number one record has been banned from "Top of the Pops" tomorrow night.

BBC TV chiefs won't play the smash single "Relax" because, they say, the lyrics are sexually explicit and not suitable for family viewing.

The record is by Liverpool group Frankie Goes To Hollywood. Their song is now banned by both BBC TV and radio - although it owes much of its popularity to both. "Relax" was performed on "Top of the Pops" three weeks ago and was played more than 70 times on Radio 1.

But two weeks ago DJ Mike Read refused to play it on his breakfast show, and Radio 1 executive producers extended the ban to all their programmes.

The group's lead singer William "Holly" Johnson said the song simply "encourages people to go out, have fun and relax."

The only other No 1 banned from "Top of the Pops" was the 1969 hit "Je T'Aime... Moi Non Plus" by Jane Birkin and Serge Gainsbourg.

30 May 2005

Madonna In Smash Hits...

A February 1984 copy of Smash Hits, containing Madonna's first interview with that magazine, which took place in Manchester. Madonna first charted here in January, with Holiday.

Auf Wiedersehen Pet

Auf Wiedersehen Pet first hit our screens in 1983. The show's theme tune, That's Livin' Alright, by Joe Fagin, charted in January 1984.

Much more on the Auf Wiedersehen phenomenon coming soon.
Sade first graced the charts in March 1984. Her wonderfully cool, sophisticated brand of soul was perfect for a sunny afternoon in the garden, or out on the river. Still is. The 1980s saw the release of a lot of perfectly polished pop, honed to perfection. Artists like Sade simply do not date.

Pineapple Knits & The Smiths...

Were you a pineapple knit person in the early-to-mid 80s? I was. I had the jumper and cardie pictured above. And loads more besides.


Pretty good stuff!