Marilyn

It's been a fascinating experience to relive the 1980s through the newspapers of the decade - brilliant to escape from the BBC and Wikipedia's "We Glorify The '70s" nonsense, and to see the '80s as they really were again. Brash. Noisy. Violent. Glamorous. Technological. Outrageous. "Stylish" (note the speechmarks). Contrasting. Money loving. Caring. Fast moving...

But sometimes the newspapers rose above the roar and clatter of the decade and contained unquestionably wonderful things like the photograph of the two monkeys above, featured in the Daily Mirror in February 1984...

Hugging each other and clinging on to life, these monkeys are a real handful.

Since they were born three weeks ago, they've left their best friend Molly Badham with scarcely any spare time. Molly, who named the inseparable pair Peter and Pop, has bottle-fed them every three hours at her zoo in Twycross, Leics, because their mother rejected them.

Happily, Peter and Pop are doing fine.

I was, for some reason, deeply moved by the photograph... those adorable little faces, those intelligent eyes, the way they were hugging each other for comfort. Just like humans...

I felt tears pricking into my eyes and began to ponder the mysteries of life...

Then my eyes moved briefly to the right:

Marilyn has his handbag pinched

Only in the '80s!

My reflective mood trailed off into a very un-high minded explosion of raucous laughter...

Pop star Marilyn had his handbag, containing £500 in cash, snatched last night as he sat in a London restaurant.

And the singer, who wears outrageous clothes and make-up on and off the stage, is offering a reward for its return.

"It's awful," he said. "It had my address and my diary in as well as my wallet and all my keys.

"It had every appointment for the next six months in. I just don't know what I'm going to do.

Two men lifted the black rubber bag with grey trimmings from a seat as Marilyn sat with a woman friend in a restaurant near Oxford Circus.

"The fact that someone can actually do that is beyond me," he said. "I know the money's gone but I'm desperate to get the address book and diary back."

Poor Marilyn. Did he get his things back? If you know, drop me a line...

From the Daily Star, October 2, 1984:

Breakfast TV beauty Selina Scott was faced with her spitting image when she ran into chart-topper Marilyn yesterday.

The look-alike couple were among the celebrities at the Variety Club banquet in honour of Radio One.

And even guests who could tell one from the other were stumped when it came to deciding who looked prettier.

However everyone agreed they made an incredible double act.

The 1980s: Fashion Freedom For The Working Class Male (And Men In General!)

'80s fashion revolution for men...

Sunday Mirror, January 15 1984:

Boy George may be the High Priest of High Camp, but the 1984 fashion revolution extends far beyond Gorgeous George and the pop world.

You'd be amazed at the extraordinary extravagances very masculine young men are indulging in all over Britain.

And what the girls in their lives think about it...

I have few fond memories of my childhood in the 1970s. I hated that decade and I hated the way that I, as a male, was expected to dress, speak and even move in certain ways.

The dress was boring - flares, which had been around since the late 1960s - and some gawd awful acrylic tank top or jumper - if you didn't dress like everybody else, you got picked on; you had to speak macho round my way, and boys didn't cry; you even had to move in a rigidly masculine way.

I remember a New Year's party my parents threw in the late '70s. Then in my early teens, I was allowed downstairs to take part a bit - even have a "proper drink". There I sat, bemused by it all as my family bellowed at each other and shrieked with laughter over the din of 1950s music. I had my drink in one hand, one hand on my knee, when my step-father approached:

"Don't sit like that, son," he said. "It looks queer!"

WHAT?!!

And my mother was just as bad. She liked "boys to be boys" - they didn't cry, and they played with toy guns and got into fights.

Now, looking back from the vantage point of my current situation, happily married and unhappily mortgaged for the last fifteen years, with a large circle of friends from many different backgrounds, I find it hard to believe that things were so rigid in the 1970s.

But they were.

The 1980s were like a huge gale of fresh air.

Firstly, there was the New Man or Eighties Man - I've written more about that here but, briefly, this was a move towards a new breed of men - sensitive, not afraid of emotions, housework or childcare. They were hot news from around 1982 onwards.

And the 1980s also saw great strides forward in male fashion. Before the 1980s, it was OK for drag artists like Danny La Rue or male pop stars to wear make-up and/or take trouble with their grooming.

In the 1980s, it became OK for even working class ordinary geezers like me to do so. Early in the decade, nothing changed. If you'd dressed like Adam Ant on our council estate in 1981 you'd probably have got your head kicked in.

But when my tough, macho mate Pete started wearing white leg warmers and pixie boots, had his hair streaked and developed a very becoming Princess Diana fringe around 1983, I wondered what on earth was going on.

Particularly as in 1980 and 1981 his favourite fashion accessory was a Punk-style dog collar.

As the decade moved beyond its first few years, I was thrilled by the range of male fashions to buy - and the colours - glaring neons or "feminine" pastels.

And it was all so dressy!

Those linen jackets, with massive shoulder pads, looked tremendous with a cerise mesh vest and skin-tight yellow trousers.

Push up those jacket sleeves, or turn them back to reveal colourful contrasting material...

And then there was hair styling.

In the 1980s, I had my hair streaked blonde, bought gel and mousse, and had a variety of styles, ranging from bouffant mullet to glorious blonde tinged flat-top.

In 1984, I became the first man in my family ever to own a hairdryer.

Whilst I was happy simply being colourful and dressy, the influence of pop stars like Boy George and Marilyn prompted some men to go further...

The Sun, October 26, 1983:

Disco bosses have barred dance floor show-offs who wear too much make-up and revealing dresses... and that's just the lads!

Fashion-conscious fellas - who mimic chart-topping Boy George - have been blamed for falling attendances at the trendy over 18s club.

Now the "in-crowd" - who have been turning up in off-the-shoulder gowns, high heels and ostrich feathers - have been told: "Butch up or stay out."

Adam ____, manager of the Summerhill Club at Kingswinford, West Midlands, says their antics were putting the girls in the shade - and frightening away the regular guys.

One of the banned lads is Gary ____, 21, of Dudley, West Midlands.

"I was wearing my full make-up and all my best gear," said platinum blonde Gary.

Magazine advertisement from September 1985. "Looks even better on a girl"? I think he looks pretty darned striking myself!

So, what caused this sudden softening and colouring up of male dress sense in the 1980s?

The influence of Boy George cannot be underestimated. He was a real person, he didn't just dress for the stage. He sought to express himself through his varying looks.

It can be argued that there had been heavily individualistic people like the Boy around for a very long time, but his success on the pop scene and the tremendous interest he aroused says a lot about the 1980s.

Then there was the New/Eighties Man thing, a reply to the revival of the feminist movement which had come bursting out of the 1960s.

There was also the growing "swankiness" of the mid-1980s as money began to swirl around and style became oh so important. It was such a contrast to the early '80s, when donkey jackets had been one of the main fashion must-haves for both boys and girls.

Why the '80s male fashion revolution happened I'm not sure. I've expressed my ideas on the subject, but I'm really not sure.

But I'm very glad it did!

Two '80s popstrels, Nik Kershaw and Paul Young, on the cover of the very wonderful Smash Hits in September 1985. Nice hair! Read our hymn of praise to Black Type here.

Fashion trend leader Boy George - a sticker from the mid-1980s. Princess Margaret refused to be photographed with him at an awards ceremony in 1984, saying: "I don't know who he is, but he looks like an over made-up tart."

Marilyn had his handbag stolen in 1984.

Boy George And Culture Club

3D Pop Stickers - "Join The Craze". If only I'd known! By 1984 Boy George was one of our best known pop stars - his image in great demand. But back in 1981 things had been very different indeed...

This young unknown was George O'Dowd, appearing in a Daily Mirror article on New Romantic fashion in April 1981. In Paris, New Romantic-style clobber by the likes of Gaultier was wowing people at the fashion shows, and fetching large sums of money once in production. In England, Vivienne Westwood was promoting the new look at World's End, her London shop, and youngsters were looking at cheap ways to achieve New Romantic style. Soon-to-find-fame George, then 19, was wearing Chinese slippers (£3.99), old school trousers he'd tapered himself, and leg warmers. A 1920s dress (20p, Oxfam) was draped around his waist. The tassle belts, the long scarf, and Oxfam beads around his neck, cost him a few pence, the crimplene blouse came from his mum and the wooden cross from a friend. A black felt hat and assorted earrings completed his outfit. 

Original? Well, when you think about it, the Boy was not, of course. He'd been a cloak room attendant at the Blitz Club in London and they all wore old fogey clothes, tried to look 'outrageous' and took more than a bit of their lead from David Bowie. And investing everything in image seems bizarre to me. It's simply... weird...

Of course, from 1982 onwards, George O'Dowd was better known to the world as Boy George. The Boy, with his band, Culture Club, first hit the singles chart on 25 September 1982 with Do You Really Want To Hurt Me? I mean YUCK! 

Awful old cobblers, and as somebody said in the early 1980s, the Boy was just a modern version of Danny La Ru. But he had a caustic wit and there was more to it all than that.

Mad about the Boy! George's fan base spanned school kids to elderly people.

Culture Club's drummer Jon Moss - he and George had a relationship.

Mikey Craig - bass guitarist.

Roy Hay - guitarist.

From the Daily Mirror, February 9, 1983.

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One is a girl called Alf. The other is Boy George, looking as much like a girl as ever.

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But there was no mistaking their winning smiles last night as they celebrated triumph in the British Rock and Pop Awards.

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Boy George, from Culture Club, walked off with the "Daily Mirror" Readers' Award for the Outstanding Music Personality at London's Lyceum Ballroom.

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Culture Club finished second in the Best Group section...

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Of course, 20th Century men had worn make-up and feminine outfits before Boy George - just look at the likes of Danny La Rue and David Bowie. But image wasn’t what made the Boy stand out for many of us.

Boy George light heartedly declared himself to be "bisexual" and "a poof with muscles" in an edition of Titbits in late 1983 and, although at first he seemed to dodge the question of his sexuality, it was soon clear to even the slowest amongst us that heterosexual he certainly was not.

Several gay friends of mine believe that Boy George is under appreciated. They say that he helped kick-start the whole openly gay pop star thing, at a time when the first rumblings of AIDS were being heard in the distance, and that George also helped to humanise gays to the heterosexual audience at a time when the risk of a backlash because of the supposed “gay plague” was growing.

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They also cite the work of other 1980s openly gay pop stars like Bronski Beat and the Pet Shop Boys as major forces for good during that turbulent era.

None of my gay friends believed that the cutesy “Do you really want to hurt me?” image projected by Boy George in his early days of pop stardom was real, but some believe that it was very helpful indeed as far as appealing to the finer instincts of heterosexual audiences was concerned.

I have always felt that the 1980s were a complicated time, much as some people would like to dismiss the decade as small “c” conservative, and I think that much progress was made by the gay community, despite - and perhaps partly because of - hugely adverse - but unifying - factors like Clause 28!

For heterosexuals, this was the time of the sensitive 80s man (or New Man as they were also known) and much more freedom in the way everyday men dressed, the colours they wore. Things were changing for men, regardless of sexuality.

The arrival of regular gay male characters in English soap operas and Channel Four’s gay magazine show Out complemented the high gay content of the pop charts.

In 1980, I recall reading in a Sunday tabloid that a well-known pop star was probably bisexual. My parents were absolutely shocked - my stepfather was particularly vehement in his disapproval. Yet, in the mid-1980s, my little sister had pictures of openly gay Boy George on her bedroom wall and slept with a Boy George doll - with the complete approval of my parents!

Nope, small “c” conservative does not describe the 1980s. The decade was confusing, endlessly multi-faceted.

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Personally, I loved a lot of the ’80s gay music, apart from George's, and was fascinated by the likes of Colin and Barry in EastEnders. I found my own inbuilt anti-gay prejudices thawing rapidly during the decade and, before its end, I was having a great time with newly acquired gay friends.

But only on the dance floor, of course. Know wot I mean, mate?!

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Let's take a look at Boy George as he appeared in the Press in the early to mid 1980s - a frequent, colourful and often controversial presence...

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Daily Mirror, 23/7/1983:

LARGER than life singer Helen Terry has just been elected a permanent member of Culture Club. Helen sang backing vocals on the band’s last hit, “Church of the Poison Mind”.

- Boy George, who has a soft spot for big women, says: “Once we used a number of session singers like Captain Crucial. This move to a fixed member is part of our musical direction to delegate ideas and make our music more diverse.”

Helen is very prominent on their next album, “Colour By Numbers”, which they finished recording yesterday. It should be in the shops by October.

Daily Mirror, 30/7/1983:

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Pretty pop star Boy George left Britain yesterday. And his parting words were pretty rude.

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He shouted at photographers at Heathrow Airport: "F- off. F-ing well leave me alone and stop f-ing well harassing me!"

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But his mood had softened by the time he arrived by Concorde in Washington.

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He explained sadly: "I'm sick of feeling like Princess Di."

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And he explained the reason for his earlier outburst.

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"Do you know, I was up half the night sewing sequins on my band's costume.

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"I was very tired when I arrived at Heathrow. I'd been up since six o'clock.

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"People think I just sit around on my backside all day eating grapes. But I've worked very hard for what I've got and I value my privacy."

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Naughty Boy George's amazing shouting match came as he left London for an American tour with his band Culture Club.

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His dress for the £1,226 flight consisted of black kaftan, green socks - and just a dab of make-up.

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He glared at a group of forty fans, some of whom had brought parting gifts, and said loudly:

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"Go away. You lot make me sick.

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"All you want is my fame. I rode to fame on my voice."

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Then he shook his handbag at waiting photographers and shouted: "There is no way you vultures are going to get my picture today!"

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In Washington it was a different story. He said plaintively:

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"My remarks were aimed at all the photographers who were bothering me. Being photographed all the time is boring, boring, boring.

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"How many times can you be photographed in a paper for just catching a plane? It's ridiculous.

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"The same thing applies to Princess Di... it gets you down to keep getting photographed for doing nothing that's newsworthy. I know how she must feel.

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"But any suggestion I insulted my fans is totally untrue. I think the world of those kids and they know I'd never insult them. It was the photographers I wanted to be rude to.

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"But, who knows, I'll probably be charming to them when I fly back. I have moods, you know."

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Karma Chameleon - this was number one in the pop charts on my 18th birthday! And on my 21st? Every Loser Wins by Nick Berry!! The main problem with George was his bloody awful cutesy music - so unoriginal. And Every Loser Wins? PURLEASE!!!

Daily Mirror, 22/2/84...

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BOY GEORGE won the “Daily Mirror” readers’ top music personality of the year award again last night. And his group Culture Club also took the prize for best single of the year with “Karma Chameleon” at the glittering Rock and Pop awards.

The Sun, 31/5/84:

BELT UP, MARGARET! GEORGE IS NO TART!

He wins "Sun" poll

Princess Margaret got a rollicking from angry “Sun” readers yesterday for calling their pop hero Boy George “an over made-up tart.”

And by a two-to-one majority they decided that the Princess deserves a raspberry for her tarty jibe.

The row started when she refused to be photographed with the Culture Club singer at an awards ceremony, saying: “I don’t know who he is but he looks like an over made-up tart.”

The “Sun” asked: “Do you agree - is Boy George a tart?" And an astonishing 3,269 people jammed our special lines, manned by Audience Selection, to have their say.

Some 2,112 readers aged from seven to seventy chorused “Boy George, we love you” while 1,157 rang to support the 53-year-old Princess’s view.

One 66-year-old granny said she believed the 22-year-old singer was a delicious strawberry tart… while the Princess was more of a gooseberry one.

The pro-George readers’ comments included:

He puts a lot of money back into this country and this goes towards paying for her luxury.

George should give Margaret make-up lessons because her age is beginning to show.

Her ancestors used to walk around in wigs and make-up, so why should she criticise George?

He’s the best thing to happen to this country since Winston Churchill.

I’d like to hear her talk to Danny La Rue like that, George is just a younger version.

He’s so beautiful I just sit and draw his portraits.

I’m a 78-year-old polio sufferer and people like him keep me alive.

Yesterday Boy George stood up for himself by saying: “If Princess Margaret is representing the country she should behave better.

“I bring more money into the country than she does.

“I think she’s very unhappy.”

The Princess’ supporters countered:

Good job the British Army hasn’t got any of his sort - the Russians would be here tomorrow.

He’s done for pop music what Arthur Scargill has done for the miners - nothing.

If ever she earned her money she earned it then.

He’s a disgrace to British manhood. The world will think we are a nation of poofs. -

George was a 1980s hair-o!

The Sun June 14 1984:

Pop star Boy George was sitting pretty yesterday with his dummy double at Madame Tussaud’s. Delighted George - 23 today - waxed lyrical as he said: “I love it, but it’s not as pretty as the real me.”

George’s spitting image will rub shoulders with pop “greats” like Elvis and David Bowie.

A soundtrack with the model tells visitors: “I prefer a nice cup of tea to sex - and if you believe that you’ll believe anything.”

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On the cover of a 1984 TV Times, with another likeness. Boy George dolls were highly popular. Quite a lot of people actually dressed up like the Boy, too - George clones were in the news.

The Sun, 6/2/1985:

George said of Simon Le Bon: “He’s just another pop star. The music business hasn’t got any personalities apart from me.”

Of his Recording Artist of the Year award, George said: “I deserve it. Having a big mouth pays off in the end!”

He added: “Now I suppose everyone will want to sleep with me.”