This Is Not A Love Song - "Crossing Over Into Free Enterprise" With Johnny And PIL

John Lydon found there was a future after all in 1983 - in free enterprise!

Cally Asks:

In the 1983 PIL song This Is Not A Love Song, I thought John Lydon sang: "I'm crossing over into free enterprise/big business is very wise". But I keep reading on lyrics sites that it was "e-enterprise". This makes no sense as E's were not big business then - lol! Which is it?

It's free enterprise, of course. The mantra of the 1980s. Good song that, even though it wasn't a bit like Spandau Ballet's big 1983 hit, True. But then it certainly wasn't a love song! :)

Back in 1983, the internet was unheard of by the vast majority of us (in fact it was still coming into being) and, as the World Wide Web would not even be invented until 1989 and was not up-and-running until the early 1990s, that's how things remained. The "on-line" experience was a far rarer - a far geekier and nerdier - experience back then.

However, the phrase "Free Enterprise" was everywhere in the 1980s, even the ferry tragedy of 1987 contained it. The ferry's name? Herald Of Free Enterprise of course!

But no "e-enterprise" We simply didn't have the technology to get selling on-line, although computing came on in leaps and bounds during the decade, including the arrival of the first commercial computer mouse, the invention and release of the first versions of Microsoft Windows, plus the likes of the ZX Spectrum and the Apple Mac.

However, John Lydon may have updated his lyrics in more recent renditions of This Is Not A Love Song.

Bless 'im.

 

Memories of 1983 - Jimmy The Hoover - Tantalise...

I've been thinking a lot about 1983 lately. I have my reasons! But a good one I can share with you is the fact that the summer of 1983 was much nicer than this one! And tangled up with the memories of that summer is the refrain "Wo Wo Ee Yeh Yeh" - courtesy of Jimmy The Hoover, an English pop band which had formed in 1982. Seems so strange to think that 1983 is thirty years ago. I'm getting old! But the memories of my youth remain strong and stop me from feeling TOO old! By the wonder of YouTube, enjoy Jimmy The Hoover above.

1983: The Smiths, REM, Billy Bragg, Cocteau Twins, Icicle Works And Prefab Sprout: Music To Listen Out For...

Daily Mirror, 31/12/1983:

The Smiths are my favourite group of the moment. I was delighted to see "This Charming Man" crack the charts.This Manchester four-piece fronted by singer Morrissey, have the neccessary live power and strong material to win through.

The only problem the Smiths may encounter is financial. They refuse to compromise their integrity by signing with a major record company.

The limited budget available to independent company Rough Trade may prevent Morrisey and his group hitting the top. 

David Jenson had also spotted a Sprouting Genius:  

Prefab Sprout - they took the name after mishearing a line in a Nancy Sinatra song - made one of the year's best singles with "Lions In My Own Garden".

Now they have signed to the giant CBS Records, whose whole building is trembling with excitement at the results.

The Sprouts, from Newcastle, are the brainchild of singer-songwriter Paddy McAloon. Stuck in a garage for the past three years with his brother and bassplayer Martin, Paddy claims to have written enough songs for five albums!

The delicate acoustic style, married to weird, wonderful words and the voices of Paddy and Wendy Smith will make listening to their debut album, "Swoon", due out in March, a heady experience. 

And then there was...

 Top American booking agent Ian Copeland - brother of Police drummer Stewart - rates REM from Athens, Georgia, whose mini tour and "Murmur" album got rave notices. 

And amongst David's musicians and singers to watch out for... 

Billy Bragg: Excellent, if odd, solo performer from London.

Cocteau Twins: Liz Frazer and Robin Guthrie from Scotland have topped the indie charts with their "Head Over Heels" LP. They need a commercial single.

Icicle Works: Liverpool band, strongly tipped by Malcolm Gerrie, producer of "The Tube".

New Order - Blue Monday... "Really Weird, That Is!"

  
New Order, of course, formed after Ian Curtis, lead singer of Joy Division, committed suicide in 1980. In 1983, I had never even heard of New Order. I had heard of Joy Division when they'd had some chart success with Love Will Tear Us Apart in 1980, but the follow-on band had slipped underneath my radar. I was dead common, you see. Chart music was everything to me and if a band hadn't charted, I didn't know 'em.

Then, along came Blue Monday in 1983. Now, at that point my favourite kind of music was synth pop, and Blue Monday had synths. It also had a jangling guitar. It also had a staccato beat. And it had a lack of structure I had never encountered before. The song simply didn't conform to the rules I was used to, and I rejected it: "That's really weird, that is!" I squawked.

But within a week this now legendary long player was on my record player non-stop. It was groundbreaking. It was brilliant. It was staggeringly original, it began to move us away from synth pop and towards the dance music era of the late 1980s and early 1990s - that's what I now say.

1987... schizoid year which saw the '80s destroying the yuppie dream it had created with the stock market crash - and a huge gale wreaking death and destruction across the south of England. The dance scene was getting well and truly underway. This track, from New Order's SUBSTANCE 1987 compilation album, is an absolute peach. Just listen to Bernard Summner:

"I stood there beside myself
Thinking hard about the weather
Then came by a friend of mine

Suggested we go out together
Then I knew it from the start
This friend of mine would fall apart
Pretending not to see his guilt
I said 'let's go out and have some fun'..."

Now That's What I Call Music Arrives...

Illustration from the first Now That's What I Call Music cassette, which contained such goodies as Will Powers Kissing With Confidence and Tracey Ullman's They Don't Know.
  From the Now cassette sleeve. Do you remember Peabo Bryson and Roberta Flack singing Tonight I Celebrate My Love? I liked, and still like, that song, but me and my mate Neal used to sing along to it: "Tonight, I sellotape my glove to you. It seems the natural thing to do..." 

Why?

'Cos we woz wallies.

Read more about the Now That's What I Call Music pig and how it evolved here.

Depeche Mode - Get The Balance Right!

Formed in Basildon in 1980, Depeche Mode were one of the bands that made 1980s music great. Personally, I find it impossible to pick an absolute favourite track, but this one has to qualify as a definite contender. Remember:

Be responsible, respectable,
Stable but gullible
Concerned and caring, help the helpless
But always remain ultimately selfish...

Paul McCartney And The Pipes Of Peace, The Smiths, Tears For Fears, Wham!, Boy George And Other Pop Gossip Of 1983...

From the Daily Mirror, Saturday, December 17, 1983:

Paul McCartney has gone to war - with a message of peace.

The rock star appears on both sides - as a British soldier and a German adversary in World War 1.

And, thanks to the magic of videotape, he ends up shaking hands with himself.

Paul acted the parts for a movie made to promote his record Pipes of Peace.

The song is based on a legendary Christmas incident in which the two sides downed arms and played football together.

Elsewhere in the Mirror, David Jenson brought us all the latest pop gossip...

HAPPY RETURNS FOR STEVIE...

Just in case you were wondering why Tamla Motown have re-released Stevie Wonder's "Happy Birthday", it is to celebrate Martin Luther King Day on January 15.

Stevie, who wrote the song about the assassinated civil rights leader, refused to allow its release in the States until King's birthday was declared a national holiday.

Included on the B side are four of Dr King's speeches, including the famous "I have a dream..."

The Cure are looking for two young musicians to join them for live work starting in January. The "live work", incidentally, includes a world tour!

WHAM! WATCH IT

Sell-out pair who are stage-struck

What do top stars Wham! worry about on a sell-out tour? "We're always bumping into each other on stage," says George Michael.

"One night we ran so hard into each other we both went flying. Another time I slipped on a bra that had been thrown on stage! We always have to look out of the corner of our eyes."

Now the tour is over, George and his buddy Andrew Ridgeley are looking forward to recording some new material - although a dispute with their record company which ended up in court recently may prevent its release for some time.

"We're a bit in limbo really. Because of our case we really can't afford to bring out a new album. But when we do get into the studio it will be good.

"We're writing in bits and pieces like we always do. For the next album we're going to try to diversify - combining all our influences."

TEARS BANISH TOUR FEARS

The boys in Tears For Fears have been having a tough time on their British tour, which winds up in Poole on Thursday.

Both have been struck down by flu, but being the troupers they are, they have soldiered on.

Curt Smith has been having vocal training lately and he's been able to cope with the strain much better.

Fellow singer Roland Orzabal has a trained voice. It is so powerful that he blew up a £400 microphone the other night.

What a funny bunny Boy...

Boy George tells me he plans to spend Christmas "Lying on my back, covered in tin foil and hibernating for a week."

Talking about the video for Culture Club's "Victims", George added: "I really think I look like a rabbit. I see it and expect a pair of big white ears to come out of my hat.

"My father said I look like an undertaker. I suppose it has got a certain Hammer horror element to it."

And the hottest new star in pop is still surprised at the huge success of "Karma Chameleon". He didn't want the biggest-selling single of the year released. He thought it would be a flop!

STICKING TOGETHER

Bananarama's Keren Woodward - she's the cutie with the dark hair - has been telling me how close the trio really are. For the past several months they've shared a flat together and now they've bought themselves houses next door to each other in North London.

1983 has been a tough year for the girls, with management hassles which led to them looking after themselves.

As a sign of their determination to stick together the girls, impressed by the film "The Day After", plan to build themselves an underground nuclear shelter.

THE SMITHS ARE A HIT WITH SANDIE

Chart newcomers The Smiths can now add the name of Sandie Shaw to their ever growing list of admirers. So struck by their music is the Sixties star that she has recorded a Smiths tune for her next single.

And I'm pleased to announce the Smiths follow up to "This Charming Man", "What Difference Does It Make", comes out in mid-January.

Will Powers: Kissing With Confidence

"When our lips meet, will they fit right?" In a decade of wonderful pop gems, glittering oh-so-brightly is that quirky 1983 hit Kissing With Confidence by Will Powers. But who was Mr Powers? David Jensen's Saturday Spin page in the Daily Mirror, 17 September 1983, has all the details...

Don't be fooled by a new single that's getting a lot of airplay, "Kissing With Confidence" by a certain Will Powers. In a deep masculine voice Mr Powers poses such delicate questions as "Is your breath fresh?"

The surprising thing is that the singer is a She, not a He!

Top American photo journalist Lynn Goldsmith had her voice electronically altered through a gadget called a harmoniser.

Lynn, who has spent her life chronicling the antics of pop performers - she was Bruce Springsteen's girlfriend for a long time - decided to join them.

But it was on the condition that she could hide behind the mysterious Mr Powers.

I can't help wondering about the fun we'll have watching her trying to perform the single on "Top Of The Pops" if it's a hit.

It's already a favourite of Arsenal football club. They play it before their home games.

All together now:

"I put an end to worrying, I learned a way from Will. He taught me kissing with confidence is an acquired skill. When my boyfriends get too hot - I can cool 'em down, now I'm kissing with confidence everywhere in town..."

Mentioned in the clipping above is a Vince Clarke/Feargal Sharkey liaison, which was part of Vince's The Assembly project. The resultant song was It Never Happens To Me.

1983: The World's First Mobile Phone; Compact Discs; Garfield; Hip Hop; Flashdance; Blockbusters; Blue Monday; No. 73; Wallies; Sloane Rangers

Top of the nation's list of concerns this year was unemployment. In 1980, it had been inflation. Inflation, which had been such a tremendous worry during the 1970s, was down but the unemployment figures were going up. And up. And up...

We'd been horrified when unemployment passed the million mark, for the first time since the 1930s, in the early 1970s, but we hadn't seen anything yet... we now had three million unemployed. Yes, three million. And the 1979 Tory election slogan had been Labour Isn't Working! But never mind. Thatcher and co told us this nasty medicine was necessary. Once we had a stable, competitive economy everything would be rosy. Trust them, that was all they asked. Hmm...

The Hip Hop scene was evolving fast, born of the American rap scene. In 1983, the scene swept across England. Youngsters could be seen in city centres across the land, breakdancing and body popping. The boombox (aka the ghetto blaster) had arrived and was an essential piece of kit.

The boombox had developed from the radio cassette recorder, and the term boombox was probably first coined at the beginning of the 80s. This was when the things began to grow rapidly in size. I recall them being called "ghetto blasters" here, and don't think I ever heard the name "boombox" back then.

In England in 1983, it was trendy to cover your boombox/ghetto blaster in stickers and no blank wall was safe from a spot of Hip Hop graffiti.

Our neighbours' eleven-year-old son painted "Hip Hop" on the side wall of his family home. I was impressed - it was a fine piece of work, like something out of a breakdance film, but his reward from his parents was a scrubbing brush, a bucket of soapy water and the loss of two weeks' pocket money. As I said to the lad, "Some people just don't appreciate art!"

I will always remember this as the year of Blue Monday by New Order. I hated it at first. Just a disorganised mass of synthy bits and guitar chords, thought I. Within a week, I not only had the record but was playing it around twelve times a day. Magic.

Sky TV didn't arrive until 1989, so I couldn't see MTV. Could anybody in England at this point? But the effects of the music video revolution were being felt - never more so than with Michael Jackson's Thriller.

Another trend that was reaching our level was continental quilts. You could buy them from mail order catalogues and pay for them in small regular amounts. But did you want them? This was debated long and hard. A conversation between two woman, which I heard in a local shop in early 1983, went something like this...

Carol: "I wouldn't want my feet sticking out. You can't tuck 'em in. It'd probably fall off in the night and you know my bedroom window doesn't fit properly - I'd freeze. And they can't be that warm either. Fancy just having one cover!"

Wendy: "The trouble with you, Carol, you don't think things through. I've ordered one from Audrey's catalogue. You can get different thicknesses, summer, winter, all that, and you can always put a candlewick over the top and tuck it in to hold it in place."

Carol was most impressed.
Flashdance, the film sensation of 1983, was a bit like Fame, but with better dancing. The film started a trend amongst the girlies for wearing off the shoulder tops.

Welsh songstress Bonnie Tyler scored a tremendous hit with Total Eclipse of the Heart.

What was the Total Eclipse video about? There was Bonnie, a singer I'd been fond of for a few years, rushing around a country house with big hair and boys in loin cloths.
What was all that about?

My mate Pete had the answer: "A headmaster's daughter who's gone off her rocker."

"Oh, right. How do you know that?"

"I read it in the paper."

"Fair enough..."
The hand-held mobile was still in the future for us here in England, but BT gave us its first cordless phone.

The first commercially available hand-held cellular phone ever was unveiled in 1983. Motorola had invested fifteen years of research and $100 million in the advancement of cellular technology, and the story stretched back much further than that. The first hand-held mobile was called the DynaTAC 8000X and was unveiled on March 6th. It was, of course, a brick. At a price of $3,995 it wasn't for everybody. More here.

It may have been late 1982 or during 1983 but Compact discs were first marketed here around this time. As with many new things, the price was prohibitive and it would be some years before they were widespread. Read all about them here.

Computers began talking the same BASIC language and the internet was on the way.

"B" was for brilliant Bob Holness as Blockbusters began. The original American version had begun in October 1980, but our version was best - who else could host it like Bob?!

Children's TV show Number 73, which had begun in the TVS area in 1982, was networked.

A certain Mr JR Hartley went searching for a copy of his book, Fly Fishing, and found it with a little help from Yellow Pages. More here.

Breakfast TV arrived: on the BBC we had Selina Scott, Frank Bough (in some lovely jumpers) and Francis the weatherman. The style was sofa-based and relaxed.

TV-am, ITV's breakfast time service, was also sofa based but a little more formal as Angela Rippon, Anna Ford, David Frost, Robert Kee and Michael Parkinson set out with their "mission to explain". The mission never really got off the ground, and it wasn't long before "The Famous Five" had been replaced by Anne "don't call me Annie!" Diamond, former sports presenter Nick Owen, weather girl Wincey Willis and Roland Rat - "Yeeaaarrrgggh!".

Australian soap Sons and Daughters came to English afternoon telly. Lucky viewers in some ITV regions got their first look at the feuding Hamilton and Palmer families in 1983, and quickly took "Pat the Rat", played by Rowena Wallace, to their hearts. The actors were greatly admired for their ability to freeze and turn sepia at the end of each episode. Production on the show in Australia took place from 1981 to 1987.

Garfield, the American fat cat, was becoming popular over here, with a range of merchandise available at Clinton Cards.

Care Bears were the year's cute and cuddlies, but the end of the year held something quite different: newspapers from 1983 record that just before Christmas some Cabbage Patch Dolls had made their way from America to England. In great demand, they came with their own adoption certificates and, by the look of them, a nasty attack of mumps.

"Choose Life" slogan T-shirts and luminous fingerless gloves were all the rage. Thanks, Wham! But who came up with the idea for wearing odd coloured luminous socks? Don't know, don't want to know!

Some brave everyday blokes were beginning to wear pink and putting blond highlights in their hair.

Thatcher won a second term in office (Boo! Hiss!).

"Wally" was a popular mild insult and How To Be A Wally was published.